Showing posts with label Information Literacy. Show all posts
Showing posts with label Information Literacy. Show all posts

Monday, March 08, 2010

SEX AND ART, ART AND SEX:
A Conversation on Lustful Living Under the Influence of Maestros

Venice, Ferrara, Mantua, Milan, RomeImage via Wikipedia


"What's wrong with feeling sexy in a museum?"

- Recent online chat.



My father's brother was an artist, a painter and printmaker.

He died years before I was born, before my parents married, cancer snuffing out his future as a creator of beautiful things before he'd reached a quarter of a century on this planet.

An avid reader, obsessed with not only physical art but that of the written word, he left behind scores of paintings and sketches, a library of some of the world's finest literature.

A gift, I assume, for my father and, by proxy, my father's children - a generational legacy. Guides to the world's finest museums, full of reprints and photographs, art criticisms and histories, poetry collections and fiction in four languages, sacred texts from the world's great religions.

And trust me when I say I took full advantage of the artist uncle's last gift in my childhood.

* * * *

In a way, though I never met my uncle, he probably had just as much influence over my development in death as he would have in life. His notebooks were conversations, his paintings burst ideas upon my brain, his library an education unto itself.

For example, Titian, the High Renaissance maestro, was already a favorite by the time I reached puberty. I first developed an appreciation for the maestro studying my uncle's books on the art of the era. Of course, after reaching puberty, my appreciation for Titian's nude work grew even more - the Venus of Urbino was probably the first woman to seduce me, my first ever object of pure raw lust, years before I lost my virginity.

The second seductress? A painting by Raphael's lustful baker, la Fornarina.

I could list them all, but, well, that would take too long. But I will admit that I do not consider it bragging to admit that for all of my hundreds (yes, hundreds) of sexual experiences in life, I've never been able to shake the feeling that those ancient Europeans instilled in me sense enough to understand that a woman's body is the finest of canvas, that it is not in some maestro's strokes of a brush that art is revealed but in the canvas stroking the brush, creating the artist.

But sexual attraction is but one manifestation of an appreciation, a love, of art. So, too, was I in love with the great Post-Impressionists: Paul Gauguin, with his primitivist depictions of beautiful Tahitians and ancient themes. Henri Matisse, Van Gogh.

It was my uncle, through his enormous collection of reprints of some of the most daring naked women in history, that taught me more about the intertwining of beauty, life, sex, and art than any formal education could ever impart.

* * * *

Needless to say, I was one strange kid.

Hell, I'm one fucking strange-ass adult, for that matter.

But I know a thing or two about beauty.

I learned it through a lust for beautiful things, for fine and performing arts, for poetry and prose, essays, and pure, unadulterated, passionate thought.

And I have an uncle I never knew, who died in a sterile hospital room with cancer-filled body, to thank for that.

- # # # -


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Saturday, June 06, 2009

TWO DEAD GAY POETS, A STUFFED FROG, SANTA MONICA HOBOS & ONE BORED, WELL-READ MODEL:
Transcontinental Conversations in the Key of Rod Serling...

I knew it was going to be an interesting conversation.

Conversations with Los Angelenos are always interesting

She started right into what had been on her mind the last few days, how it was affecting her normal party-all-night, sleep-all-day lifestyle, how growing up was, in her words:

Man, life's crimping my style hardcore right now... I think I'm turning into a fucking reclusive hermit... like you, ya know?

On the West Coast, in the all-night diner in West Hollywood from where she was calling, it was only 10:30 on a Friday evening. Traffic on La Cienega Boulevard was somehow too much too bare for the L.A. native. She couldn't make it all the way back down to the Sunset Strip for a night of clubbing after dropping her Girls Night Out dinner companions off at their respective homes.

Instead, some unseen force pulled her into her favorite hang-out, a place she used to dine at regularly when she didn't have much money, couldn't sleep, needed a comforting place to people-watch and read the free alternative weeklies and trade publications they always have in bins in the lobbies of those sorts of places.

Here, in Ohio, it was just after one in the morning when she first texted her usual "RU Bzy?" queue, the one she uses when she's looking to reach out and touch somebody. She uses the same message, all the time. I'd just gotten in from a nice quiet night out, contemplating life over a few beers at the local watering hole here in Oxford.

Bored out of my skull, well, I decided to return her call. Stupid me - I forgot how tired I was, forgot that it was still early on the West Coast, forgot that these sorts of conversations tend to go on for hours.

"I just don't feel like doing shit. Don't feel like dealing with fucking creepy guys or, ugh, the Lakers fans, or snotty bitches."

"Chica, everybody feels like that at times."

"But I feel that way a lot. It's fucking Allen Ginsberg's fault, I think."

"Uh...s'okay. Allen Ginsberg? As in the dead Beat poet?"


"YEAH! THAT FUCKER! You ever read his shit?"

* * * *

A pause, the sound of a woman who frequently makes those Name 10 Hottest Models You'd Bang lists of frat boys and Moose Lodge poker nights smacking her lips around a breakfast sausage link, and, finally, an answer.

Of sorts.

Bear with me. She was a bit tipsy, loaded up on Red Bull and coffee.

"You know he wrote this poem about, like, running into Walt Whitman in a grocery store. It was in "Howl," ya know...

"...Dude, so I saw a homeless guy in Santa Monica last week who looked just like that, so asked something like 'Where are you going, Walt Whitman?'...

"You know, from the Ginsberg poem, right? Anyway...the old dude gave me this, like, stuffed frog from his backpack... he said he, like, met Ginsberg once and, like, said Oh Captain, My Captain ...

"...And then he, like, ran away... I mean, that's not normal, right? I mean that's weird, right? I mean, it was a joke, sorta, and..."

I put the conversation on speaker, sat it down on the bed to undress. I forgot, momentarily, that I was actually in the midst of a conversation - I actually removed my contacts, stripped, brushed my teeth, all while she was telling her story.

I know. Very rude.

I apologized profusely and pledged to my late-night electronic cohort a free shot to the ol' nutsack next time we meet in person.

* * * *

"So, okay, lemme get this straight... Allen Ginsberg somehow made you a hermit?"

"No. Walt Whitman. But not like the pictures you see. EXACTLY like in Ginsberg's poem. And that homeless guy."

"...S'oookay. So, you've been reading a lot of Ginsberg, ran into a guy who looked like how Ginsberg described another old dude - like Walt Whitman - in grocery store, and YOUR guy gave you a stuffed frog--"

A burst of excitement, a girlsqueak.

"Man, do you believe in curses and shit? I think that crazy homeless guy put, I dunno, a spell on me or something. Is that, well..."

"Um, yeah. Chica...now that's crazy."

I suddenly felt very sorry for eavesdroppers on her side of the conversation, those poor, helpless bastards in that West Hollywood diner, with only bits and pieces of a conversation involving two American poets and a plush toy.

"YES! Dude, I keep having, like, dreams with, like, Jesus, this crazy hobo in them. I'm reading too much - is that weird? Ohmygod, I'm going crazy, right?"

How does one respond to such questions? Does one even attempt an answer? In the wee hours of the morning, half-asleep?

* * * *

From there, the conversation went from only slightly insane to downright absurd.

Dream symbolism, food interactions, even the existential nature of homelessness, Magical Hobo and Phantom Traveler tall tales, time travel, even hauntings and demonic possession.

Maybe Allen Ginsberg was an alien, a creator of a Whitman clone, a madman? Was Walt Whitman?

Or maybe her amphibian-wielding Santa Monica vagrant really was Whitman caught in some time vortex, appearing to Ginsberg back in that supermarket decades ago and now, to her? Maybe Ginsberg was an evil wizard, had trapped Whitman in a poem through some trippy peyote-filled magic spell?


Was the stuffed frog she still had in her over-sized diva purse really a frog? A metaphor? Alien technology, merely stamped with a beer company logo and Made in China label as a form of camouflage?

Was Space/Time Walt Whitman's alien gift somehow bleeding its Beatnik neutrinos into her MAC lip gloss?


Like I said.

From downright batshit insane to downright fucking absurd in under five fucking minutes.

Amazing the places the human mind wanders sometimes. Places where, thankfully, our very real, tangible world refuses our wild imaginations passage in this existence...

... Or does it?

We ended our long, rambling conversation at just past three a.m., my time, midnight in the City of Angels.

I'd dozed off twice. She'd sucked down enough diner coffee, fried eggs, and hash browns to send her into one of those FUCK.... four hours Cardio Sunday... Los Angeleno things.

I knew it was going to be an interesting conversation.

If for no other reason than the fact that all human beings lose some sense of reason every now and then.

- # # # -


Saturday, May 30, 2009

SHORT TAKES & SUCH:
Anti-Obammunist Tea-Bagging Patriots, Queen City Man Molesters, Rambling Attempts at Activism, & The Whammo Kid Strikes...

DAYTON, Ohio (ZP) -- Unashamed and unrepentant, the balding middle-aged gentleman announced that he was proud of his role in promoting tea-bagging as a form of protest against what he called "Obammunism."

Ya know, for some reason, when a strange old fucker tells me how much he likes tea-bagging, it always reminds me of similar conversations in The Castro...

I'd made the mistake of opening my mouth in an airport bar. I am, at times, a dumbass.

But, well, in all fairness, it's not often a "freedom-loving American businessman" gets a chance to discuss politics with a younger dude who thinks massive public debt designed to help select elite maintain a chokehold on a monstrously large government is a bad idea.

It was the piece I was reading at the time at the airport bar, a selection from Samuel (Dolgoff) Weiner's Ethics and American Unionism, that started it. Apparently lonely and looking for conversation, the guy'd asked me what I was reading. As soon as I said "...well, it's this essay written by this libertarian housepainter from New York...," the guy slithered up beside me, slurred a drink order to the server, a round on him.

For the record, there's no such thing as a free drink in this world...

He'd been at the so-called Tea Party protests in Chicago earlier in the year, a protest of what many on the Economic Far-Right associate with something akin to Socialism and financial nationalization...

... And yes, he even defined, for a young fella like myself, what he meant when he said libertarian: a libertarian, in this Age of Regression, refers to a fundamentalist born-again Christian, gay-hating, anti-reproductive-rights, flag-waving Patriot, the owner of a four-bedroom, three-bath home in the Columbus suburbs, owner of a chain of stores that sold Chinese-manufactured goods and provided minimal employee benefits, a downsizer of the Masses who was proud - PROUD - of the fact that he'd saved the economy (i.e. his own ass) by laying off about a dozen people...

Oh sure, buddy. And when the economy was lining your capitalist pockets, you jerked off to Reaganomics and Ayn Rand novels...

And, lord, the guy just wouldn't shut up about how much he loved tea-bagging, being a tea-bagger.

I didn't have the heart to explain that Samuel Dolgoff was actually a proud member of the Industrial Workers of the World, the man who coined one of my favorite phrases to describe the Bush/Obama bailouts (i.e. "State Corporate Welfarism"), a bona fide Wobbly revolutionary who loved freedom and his fellow workingman, an anarcho-syndicalist Jew from the Lower East Side of Manhattan.

And that guy, trust me, wouldn't have taken a free drink from a such a libertarian without an argument about how how Rush Limbaugh is supposedly right.

Motherfucker, please.

- MORE -

CINCINNATI (ZP) -- It was a clear case of mistaken identity. The woman thought I was someone else.

But, well, it's not often a middle-aged woman walks up behind me just outside of Paul Brown Stadium, grabs my ass, and bites my neck.

Well, not while sober, with nary a bar in sight, in the middle of a beautiful sunny day. I couldn't smell any booze on her breath but, well, hot chick in a low-cut blouse and whole lack-of-a-bra/ tid bit nipply there thing was sorta interfering with my perception.

"Oh, you're not Tommy's son, are you?"

"Um... no."


"You're sure? You're not _______?"


"No ma'am."

"Do you play football at [a smaller Ohio university]? I'll bet you play football...?"

I guess the question-and-answer session was her way of coping with embarrassment. Went on for about five minutes before I rather awkwardly excused myself from the discussion.

Okay, so maybe the woman was on something other than booze. But, well, from the looks of her, and given her rather obvious fondness for small college football players, well...

Whoever Tommy's son is, he's one lucky bastard if that Desperate Housewife has her way.

- MORE -

RANDOM COLLEGE TOWN, Ind. (ZP) -- I'm a lousy educator. I'm usually the first to admit it.

But I guess I'm fairly decent at bluffing my way through situations where a real presenter or lecturer would feel more at ease.

It's a gift. Or a curse. Not sure which.

The free wine and pizza helped.

The gathering's hostwwwess stood up in front of her coffee table, tapped her glass, and introduced me as "one of Ohio's most controversial bloggers, a librarian and cultural critic..."

Jesus, everybody hates a critic,
I thought, trying not to smirk.

I was invited, this time, not to talk about librarianship, or blogging, or, well, being critical.

Nope, I was here to talk about life, about social networking and privacy, about how nobody, in the 21st Century, really buys that ...And the Meek shall inherit the Earth shit of sermons and puritanical patriotism.

But yep, sometimes that all overlaps with the information sciences, blogging, and critical examination of the world's systems of power.

C'est la motherfucking vie.

"Well, thanks...um...that was a wonderful introduction. Let me start by thanking _____ for hosting this great party...

"...And I'll try not to bore you with, heh, batshit and rambling stories...

"...And who owns the content of our World Wide Web? This fucking company owns that site, owns that server... but who owns the Internet? The answer is simple - humanity... The Web is bigger than any company, andy government, any one group..."

I tried my damnedest not to ramble. Honest-to-God. But, well, wine... room full of college kids...

And yes, for some reason, there's a bunch of undergrads (mostly female) in the U.S. and Canada who think I'm some younger version of Noam Chomsky because of my political rantings as of late...

Though having the chance to say I'd rather not be compared to anybody but myself, in person during casual conversation over glasses of box wine, does wonders for the ol' ego...

The Literate, the Life Scholar, and the Free of Thought have no patience for inheritance, a relic of an increasingly transparent capitalistic world filled with product-driven media, church dogma, greed, systems of oppression and coercion, and political partisanship...

That was, well, the point I hope I conveyed in what ended up being a somewhat batshit, rambling discussion, full of questions and comments, head nods and darting eyes.

Lecturing's a lot tougher than blogging.

Especially when there's box wine involved.


- MORE -

OXFORD, Ohio (ZP) -- The Whammo Kid had me backed into a corner, two six-shooters aimed squarely at my chest.

I was a goner. I didn't even know my offense or crime. He made no demands whatsoever. His guns glistened in the sunlight.

And no one in Martin Luther King, Jr., Park offered any help. Nobody even gave my assault a second glance, in fact.

What a way to go...

The Kid's cowboy hat sat cocked to one side, his jeans dirty and shirt stained. A wicked grin cut a tight-lipped canyon in his otherwise smooth face.

"Gimme your money!" The Whammo Kid finally demanded.

"But... Kid... I don't have any money...that's why I'm going to the bank..."

Sweat was beginning to fill my own Stetson, the moisture soaking down into the brim beneath the summer sun.

"Why?" The gunslinger asked. "Gimme FIVE DOLLARS FOR ICE CREAM!"

I felt my assailant's eyes cutting through me like a thousand daggers.

"Kid, I don't have any," I said. "Is...is...eh...your mom or dad... somewhere?"

"NO! I AM A ROBBER!"

I was ready for the end. Having no money to give my preteen thief, nothing of value, I watched in horror as The Kid aimed his plastic water pistols, fired.

Squirt. Squirt Squirt.

Squirtsquirtsquirt.

It was all over in less than a second. Being nowhere near tall enough to get off a body shot, his two-foot frame had to settle for a crotch shot.

My pants were soaked.

And with his first victim a mere notch on his summertime belt, the Whammo Kid took off running, ran all the way to a blanket in the park. A young woman looked up from her book as the kid pointed my way, blushed, and mouthed a silent apology.

I laughed, waved as if it didn't matter, and kept walking towards the ATM.

Kid, be glad I don't have a Supersoaker handy.

Where I come from, we don't bushwhack another cowboy in front of the bank...


- # # # -

Wednesday, August 27, 2008

THE AUTOBIOGRAPHY OF AN EX-OTHER MAN'S
FAVORITE EX-OTHER MAN:
Hot Women, Thought-Filled Boyfriends,
Abstract Expressionist Paintings

OXFORD, Ohio (ZP) -- There's things about me, I tell her, she's not going to want to hear about.

In fact, there are things about me and where I've been, things I've done, that I don't want to hear about.

She's not happy with my answer but, well, she accepts it. Me being the Man of Fucking Mystery, and all that.

She's standing in my living room, staring at my very lovely, very intentionally crooked abstract expressionist piece.

I painted it years ago, after I'd gone clean, one particularly bad night on the beaches of California's Central Coast, overlooking the village of Cayucos.

"It's about nothing. Sorta about Jackson Pollock. But a lot about Lee Krasner and my perceptions of their marriage..."

I can tell she knows nothing about either artist, about California beyond Disneyland and television, doesn't get my whole Well, see, I don't smoke weed because, like, I'll have to check myself into rehab bit, either.

Apparently, if you add in some White Russians and a joint, I'd make a perfect Ohio version of The Dude, given my lifestyle and the way my brain works. Sadly, I really don't see any similarities...

But she says she gets the nothing part. About the painting. My crooked, three-foot-long, acrylic-covered canvas is purple and squiggly and pretty, she says. I leave it at that.

She totally ignored the abstract form on the same wall, the one I'd, well, sorta painted using a woman's breasts. No sense in bringing that up.

"You know, you're the most interesting guy I've met in college," she says. "EVER. I can see why girls think you're a mystery."

She turns as I hand her a cup of tea. She was hoping for something harder, but, well, after last call on a Saturday night my apartment goes drier than an AA meeting in Utah.

The Dude may abide, but I hate hangovers just as much as he hates the fucking Eagles, man.

* * * *

She'd been drinking Crown Royal and Cokes at one of Oxford's lesser watering holes, a veritable swap meet of flesh. I could smell the blended Canadian whiskey on her breath as she talked, even a few feet away.

I'd offered her a ride home - it was her idea to come back to my place, just to talk. Her new roommate was wasted and probably going home with some guy from the bar where they'd been drinking away the start of the new academic year.

And she sorta knew me, or had seen me before, so...

She'd always wondered, she says, where the librarians around these parts disappear to at night. Or where the faculty go (they commute), or support staff (again, commute), or even the custodians go when the sun goes down...

In particular, she's always wondered where certain librarian bloggers go when they're not at work, or writing about Oxford Fucking Ohio, or...

* * * *

A knock at the door. She doesn't look away from the painting. She's been staring at it for a good fifteen minutes.

I open the door to find a guy in a print-pattern shirt, designer jeans, and flip-flops staring at me, wondering what the hell he's doing at this random stranger's apartment at well past four in the morning.

"Lose your girlfriend?"

"Um, I think so. Sorry. Are you Jason?"


"Yup. C'mon in..."


He's sober as a priest in rehab. He probably drove all the way over, wondering why the girl he's been seeing for a few months called him from another guy's apartment.

An older guy's apartment.

He's nervous. Not yet visibly upset, but obviously embarrassed and probably angry, too. I'd be all of those things, if I were in his shoes.

He walks the short corridor; the living room opens before him. And there she stands, beneath a strange crooked painting. He finds his girlfriend fully clothed, tipsy but not shitfaced drunk, staring at a wall.

And he seems relieved. I'd be too if I were in his shoes.

We're talking a seriously hot young woman here.

* * * *
"Chica, your ride's here."

That snaps her out of it.

Whatever contemplation of those funny-sounding abstract expressionist names and colors she's been experiencing ends, that nothingness she's been pondering dissipates like a wet fart.

"Oh hey, baby. This is THAT Jason. You know, that guy from the-"

His eyes light up. He's recognized me. And it's not because he's always running into me at the library, either.

I guess I've made it as a cult-status writer.

Heh. Too funny.

* * * *

"You're the Zenfo Pro Jason, right?" He shoves a hand my direction. "Holy SHIT! I love your shit, dude! Cracks me up."

"Yeah, _____ here seems to dig it, too. Cool chick you've got."

"Ha, she's your biggest fan or something. But I just read, fuck, when I'm bored. But she's like all over your shit."

I take his hand just as she turns her head. She gives both of us that annoyed look tipsy women often give when they're trying to concentrate on something important, like the meaning behind a painting.

Or, well, when two douchebag guys are talking about her in the third fucking person, as if she's some out-of-sight object.

"Cool shit, thanks. Glad I keep students entertained with my fuck-ups."

He makes a face. For a moment, I think I've offended him.

"Oh, fuck that! Dude! You fucking keep me awake in class..."

The boyfriend and I are soon balls' deep in a very man-centric discussion about being a single, smart guy in Oxford Fucking Ohio, the mystery of Cult of the Snake Brother harmony in such a small town, about Joe Nuxhall and Cincinnati baseball, Woodie Guthrie and Bob Dylan and bands like NOFX, the Pixies, and Nirvana ...

Yeah. My bad. Homeboy's girlfriend. Standing right there.

Not the best conversation to have, given the company. How rude of me.

* * * *

But she's fascinated, for some odd reason. She starts moving towards us, closer to him, leaning on him, listening.

The painting no longer interests her as much as the eloquent thoughts her beau's espousing, his knowledge of all these wondrous things. It's clear by the faces she's making and the way she's staring at him that this is the first time she's heard him in such an impassioned conversation.

And he's so enthralled in the subject matter that he's oblivious to the fact that he's become a much more intriguing work of art than any old painting.

Art, after all, is sometimes nothing more than a purple and pretty and squiggly thing, a manifestation of thought, sifted through a creative medium. It's the information contained, the thoughts inspired and the knowledge formulated in its manufacture and study that means something, something more than the aboutness of nothing.

I figure that's my queue to wrap up the conversation. Conveniently, I announce that, well, I'm kinda tired and kinda need to hit the sack.

The way she almost dragged that poor guy out of my apartment...

Heh. Too fucking funny.

* * * *

Hell, I'm sure information can leave you waking up with some serious lower back pain, too. Maybe even a torn ligament.

Not sure if that's how the night ended for the Biggest Fan (trust me, I'm cracking up at how silly that sounds) and her rather cool boyfriend.

Not that I've ever experienced such a thing, mind you. I'd never, ever stoop so low as to let my brain and its infinite capacity for thought get me laid.

No. Never.

And no self-respecting female would ever, ever just want to fuck the shit outta somebody, simply because that person could carry on a decent conversation about mysterious things, could get overwhelmed in an ecstasy of thought, oblivious to the world?

No, never.

Or maybe it was the nothingness of the painting.

You'd be surprised what sorts of things some of those hot Local U. undergrads find fascinating at four in the morning on a Saturday.

- # # #-

Sunday, March 16, 2008

OF LIBRARIANS, WRITERS, & HOTTIES,
NUDE GODDESSES & WHORISH FOLLIES:
Sometimes, My Dear Bukowski, The Muses Actually Bet on Mere Mortals...

OXFORD, Ohio (ZP) -- He slid down the stairwell and into the basement, a veritable black-and-denim shadow against the wood paneling and red-painted cinderblock, swaying as he crossed ancient, chipped vinyl tiles.

The raven-coiffed jaguar was grinning one of those devilish grins, the sort of mysterious smile that probably lured a thousand warriors to their doom back when real jaguars prowled the jungles.

"Mmm...hmm... now what are you two hotties doing down here all alone, besides being hot?"

"Heh, well, she's the hottie. But she's twice as hot, enough for the both of us."

"Oh trust me. If you were a gay man, you'd know how much of a hottie you really are."


I sat up as straight as I could, sucked in my gut and suddenly felt, for some reason, like Rock Fucking Hudson. Mr. Jaguar's compliment yanked me up by my emotional bootstraps.

"Man, that's the nicest compliment anybody's given me in a long time. Thanks, dude."

I have no clue why, exactly, I felt so down on myself. No fucking clue. But, sometimes, well, it's better to not dwell on such things, to just appreciate a gay man calling you a hottie.

I was clutching a cold Red Needle, that favorite tequila - and - cranberry elixir that I sometimes use to keep up my will to live on long Mondays and extended weekend hangovers.

Yes, I was working, at eight at night on a Monday, off-the-clock, boozy condensation oozing from between my fingers, helping a friend come up with plot elements and character sketches for her children's book.

Me.

The absolute last person anyone would ever trust with the literary well-being or educational development of middle school children.

But, well, part of being a librarian, the most important part, is to play the role of Muse, to simply be a flashlight in the intellectual dark - even if he's the least-qualified flashlight for the job.

And sometimes, being a good librarian means that one is forced - FORCED - to sit in a cold basement on a Monday night, all alone, with quite possibly the hottest schoolteacher in the history of Ohio, drinking good booze and waiting for the read-back as that teacher scribbles away a draft onto old-school looseleaf.

Oh, how I suffer some days here in Oxford Fucking Ohio for my profession.

How Melvil Fucking Racist Misogynist Dewey must weep at my suffering, from his fiery director's desk in Hell's library.

It's a hard life, really.

* * * *

"My God, those girls! They really do dress like whores these days, don't they?"

Mrs. Thang sipped her wine and held out her cigarette. Out came my ol' Zippo and, within mere seconds, I had flame in her face, beneath that Virginia Slim.

Despite being a nonsmoking room, her room, well, she wasn't about to let the Goddamn State of Ohio tell her where we were allowed and not allowed to smoke. I lit up my Marlboro, flipped the lighter shut, and poured myself another glass of wine. We were on our second bottle.

I joined her in staring out of the hotel window, down onto the street. For some reason, I failed to see the supposed whoredom of undergraduate females. Just a normal night in Oxford, in a college town full of brave little girls who dress in Manolo heels to go drink Natural Light.

I did, however, notice her daughter crossing the street below us, towards a black SUV filled with other undergraduates. Mrs. Thang's daughter had claimed she'd wanted to stay and chat with ol' Mom, but, well...

C'mon. What college first-year has ever wanted to hang out with parents when there's a party to be had?

"My God, my daughter looks like a whore! She's starting to act that way, too. [Paris] was like that, wasn't she? You know, I'm afraid all my children will grow up shallow-"

Mrs. Thang hiccuped and almost fell forward into the glass. She grabbed the industrial-strength drapes for balance. She was drunk as a skunk.

"Nah, she seems like a good kid. This really is normal for a freshman in this town these days."

Mrs. Thang, relieved, slid down into a chair and handed me her glass. As I was pouring her the last of the bottle, she explained that in her day, when she was a spry Local U. student, no woman would be caught dead after dark in such skimpy outfits. According to her, well, how I dress these days is how she used to dress - jeans and a teeshirt. The old American standby is, and shall forever remain, the penultimate in laissez-faire chic.

And how the men just loved her in this town, way back then, in Oxford Fucking Ohio. She didn't date the fashionable, the trendy, fake-ass, jet-setter boys, either. She dated men, professors - yes, even faculty! - when she was her middle child's age. She wrote poetry in my library, danced naked in living rooms, and rode old men and artists and musicians like camels through the Sinai for four wondrous years.

Well, chica, I said, times change. Hell, Higher Ed's changed so much since even I was in college - and back then, heh, [Paris] and I...

I couldn't bring myself to say ... were together. We were never really together. We fucked. We didn't talk, didn't socialize, or, well, even get along outside of sweating, panting, and screwing. I hated her friends, actually, and would rather shove live scorpions up my ass than ever, ever be in such a soul-sucking situation ever again.

...since we, ya know...

Mrs. Thang scrunched up her face for a moment, then giggled. For the record, most mothers really do get a kick out of making their eldest child's exes suffer, even momentarily.

I handed back her glass and proposed a toast, an obscenity-laced, marginally intoxicated curse upon all of the shallow-ass bitches and their sexy-ass mothers in this town tonight. Mrs. Thang laughed as we clinked our glasses together.

It may have been the wine talking, the warm glow of the room's lights, or merely the evening's rather burlesque conversation topics, but, suddenly, Mrs. Thang ceased to be an merely an old acquaintance in town visiting her alma mater and her daughter.

She was, well, looking kinda hot. A woman my own mother's age was... wow. Those Pilates course were... wow. I sat down on the edge of the bed and tried my damnedest to visualize something other than what Mrs. Thang's rather flattering, tight, black sweater would feel like in my hands, what was beneath that all of that restrictive cotton...

"Are you really Jason _______? Noooo. Wow. You really grew up to be a smart sexy thing. Whew."

She reached over as if, well, as if she were reaching for my arm. She stopped and mumbled something about how that gay dude's hottie assessment, the same Mr. Jaguar I'd told her about from the previous night, was right.

"Jason, dear, you keep doing those chin-ups... Wow... Those arms are getting..."

She scrunched up her face again. The wine, yes, it was the wine that made me notice, for the first time all evening, that she was wearing a thong beneath her slacks...

"...If you fuck another daughter of mine, I'll tear your balls off."

She smiled. It was another one of those jaguar smiles.

After we'd said goodbye and had gingerly exchanged a rather quick, awkward hug, I left for those same streets below, the ones filled with normal Local U. women who are, sometimes, accused of dressing like whores by their own mothers.

I realized, walking back to my apartment, that I'm a lot like the old men some of those same mothers used to ride like camels in this town when they were but youthful undergrads, after poetry readings and folk concerts.

There's something dangerous in such thoughts.

* * * *

Early Saturday morning, hours before sunrise, I found myself taking a stroll through Oxford, alone and blissfully chilled like a pint of beer. Alone with my thoughts, my brain setting its own rhyme and meter to the rise and fall of the lungs in my chest, I could've walked to Cincinnati and back, a good 30 miles, without even being conscious of such a feat.

The sound of my cowboy boots clicking off the wet asphalt served as twilight's only soundtrack. An omnipotent fog stood in as the town's watchman, guarding every inch of every corner and crevice, from the ground all the way up to the bottom branches of the maples and sycamores and oak trees that line the streets.

I stopped at a nondescript intersection, in one of the more modern parts of town - apartment buildings outnumbered the houses, the houses themselves more one-story ranchers than 19th century Victorian in design. I was fumbling through my pockets, hoping beyond all hope that I hadn't lost my Zippo...

I don't know why I looked up. Maybe some glare from her wine bottle, or maybe the faint sound of someone singing - wailing like a banshee in heat, actually - a Melissa Etheridge tune into the night.

But there she was, naked up there in the window, a nude Athena, a fleshy statue of stripped feminine artwork framed in Plexiglas and vinyl siding.

Oblivious to what the world below would think of her naked flesh, white and yet strangely glowing in silhouette, backlit by unseen flickering candles, she just stood there singing into that empty wine bottle.

I almost felt ashamed for staring, even for a minute, until I reminded myself that anyone who strips and shimmies and shakes in front of a bay window is obviously hoping for some sort of audience. I've dated enough strippers in my life to recognize an exhibitionist when I see one...

Such a wondrous thing, the body of woman. How hips and lips and other parts just seem to flow together like strokes from a paintbrush. Things like weight and height, body proportions and breast sizes and the flatnesses of asses, cease to hold any meaning when the clothes are stripped away in the middle of the night. Men, alas, just aren't built that way - at least, well, from my perspective.

Athena noticed, yes, that she had an audience, that the performance of mysterious goddess in the sky had earned her the attention of a mere mortal below.

She stopped for a moment, pressed her face and breasts to the glass, squinted.

And then she smiled, waved, and went right back to singing along to her Melissa Etheridge recordings, as if every woman in the world were as comfortable with their own nudity as she obviously was with hers.

The best performance art pieces are always the ones where the artist cares not what the audience thinks, where the artist is driven by madness and the quaking, shaking passions of their own invisible Muse.

Critics be damned. And so, too, the audience.

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