Showing posts with label Hip-Hop. Show all posts
Showing posts with label Hip-Hop. Show all posts

Friday, November 28, 2008

WHAT'S SO LONELY ABOUT SPENDING A THANKSGIVING ALONE, ANYWAY?!?:
Of Cioppino Over Turkey, Long Hikes, Solitude, and Movie Dates with Oneself

OXFORD, Ohio (ZP) -- I'm not a Thanksgiving guy. Haven't been for some time.

The simple truth of it is, well, I quit looking at the holiday as anything more than a day off long ago because, well, when your family has spent so many years spread out all over one gigantic continent, it ceases to hold any other importance.

Back on the ol' family farm, back when I was a kid, the day meant something: mornings full of deer and squirrel hunting, afternoon meals with every second- and third-cousin within 200 miles, afternoon football games in the apple grove. But I'm no longer a kid, the farm's long gone, and the bastard we sold it to cut down the grove to make room for his Arabians...

My family, for the most part, quit celebrating the holiday a few years ago. My mother, in fact, had a monumental revelation: she's never liked spending all day cooking while everyone else lounges around, doing nothing and waiting to gorge.

This year, she and my father went to Denny's. Gotta love 24-7 roadside dining. Instead of some overblown feast, they went on a short vacation, just the two of them.

As for me, well, dating a few members of indigenous tribal organizations over the years, and a few foreigners to this country curious about why Americans drape themselves in ancient English Puritanism in the guise of Native American feast, probably hasn't helped, either.

* * * *

I do give thanks on Thanksgiving. Don't get me wrong here.

I just prefer spending the day doing my own thing, alone.

This year, for instance, for my feast, I went for a culinary form of gratitude to the numerous immigrants who helped build this country, who've helped feed the world by coming to this often hostile land to raise fruit of the chaff and vine, pull fish from our coasts, and who helped better diversify America for the better - as opposed to those pesky religious nuts near Plymouth Rock, who came here to conquer for a damning White God as British exiles.

Rather than turkey - not being able to eat beef, well, turkey's already a staple of my diet - I went with a meal more fitting to a John Steinbeck novel than to a Cotton Mather sermon. Cioppino, a seafood stew originally developed by Italian fishermen along the wharves of 1800s San Francisco, seemed way more satisfying and spectacularly American to me than the usual dead bird and stuffing.

I put the seafood, broth, and veggies on to simmer over low heat shortly after breakfast, turned on the stereo, and cleaned the kitchen table to the sounds of The Knux and Positive K.

Trust me. My spending a family holiday in solitude is a good thing. Spares folks the embarrassment of having to watch me attempt to dance in a bathrobe.

* * * *

People often ask me if I ever, well, just shut up. I do, offline, tend to talk a lot. But in truth, I can go days without saying anything to another human being, without speaking a word. And I'm one of those people who revels in days like that, the solitude, the alone time...

Hell, I'm a loner.

While the immigrant stew simmered, I went for a seven-mile hike, watched all sorts of wonderful subtitles - for - my - uniligual - ass films I'd been meaning to see for years (from Srđan Dragojević's Bosnian War classic, Lepa Sela Lepo Gore, to Volker Schlöndorff's exploration of Nazism, Der Unhold, to Bruno Barreto's Brazilian political thriller, O Que É Isso, Companheiro?), before, finally, dining in workout sweats, in perfect, contemplative silence whilst reading last month's Harper's Magazine.

Completely alone.

Reminded me of those chilly November mornings as a kid on the farm, sitting in a tree stand, shotgun in hand, meditating on all sorts of adolescent things (mostly girls) and listening for the sounds of broken twigs and crunching leaves.

It was a perfect Thanksgiving, really.

At least by my standards.


- EPILOGUE -

"How do you do it?" she asked. "How the hell do you cope with being alone on Thanksgiving?"

This was her first holiday away from her family and, despite spending Turkey Day with a friend's family, she felt so horribly, miserably alone. She couldn't afford the plane ticket home, couldn't afford to miss what could be the biggest opportunity of her life.

Her first big photo shoot in two years, scheduled the Saturday after Thanksgiving. Fate is sometimes nothing more than a tiny plate of food during someone else's feast. Not that she needs to lose weight.

"Well," I typed back, "I kinda like the peace and quiet. Life's too hectic not to have some downtime from the world."

"You're one of the strangest people I've ever met, you know that? It's kinda cute but, dude, hella freaky sometimes to read about."

She told me she still had my cell number in her phone, that she'd been trying to call me all day. It was then that I realized that, yes, indeed my phone was off and there were quite a few missed calls logged in the damnable thing.

Without missing a beat, I cleared my throat and waited for an incoming call. I guess I am a strange dude - for a moment I'm actually annoyed that a hot (chica, you know you are) fashion model is bothering my solitude, wanting to call and chat and have somebody other than her roommate's cat to keep her company...

"Happy Thanksgiving, Jason! Haha, thought you wouldn't really answer."

Call me an asshole, but I almost didn't.

- # # # -

Friday, September 05, 2008

VIGNETTES FROM A NOWHERE COLLEGE TOWN:
Graffiti as Information, Listless Tourists and Midnight Tour Guides, & How Hip-Hop Ain't Noise Pollution

OXFORD, Ohio (ZP) -- He tags, therefore he is. It's a simple enough concept.

One has to respect the simplicity of the youthful anarchist creator and the often intentionally meaningless art he or she creates, the minimalist drive of the guerrilla artist, of his permanent markers and spray paint.

And sure, it's a criminal act in most parts of the world. Hell, if caught, the kid's going to end up either painting over his work per a judge's order or paying hefty fines to the building's owner. And, sure, if I were the owner of the building I'd be beyond pissed.

Actually, if I owned the building I'd give the guy the whole wall, give him a canvas and commission a mural. There's not enough public art in this town. What is available is the usual tepid Midwestern city sculpture or the sanitized public work designed to promote tourism more than conversation.

But he tags, therefore he is.

* * * *

He's got no money for prepped canvas or studio space, barely enough money for food and clothing and rent. And his work may not be protected speech, may not even be considered legal speech, but it is expression nonetheless, his voice in vivid pigment, amongst the white noise and red bricks.

And he's not tagging the town with the territorial pissings of wannabe gangsters and DVD rental hoodlums - those works of vandalism are mostly done by poor rural kids who listened to one too many songs about Detroit's Eight Mile, heard one too many stories from older siblings about how, sure, everybody in prison, like, adopts this symbol or that symbol as a benchmark of aggression.

If he's caught, yes, he knows he'll be blamed for those acts, too. He tags, therefore he is. But even the most simple of purposes can become a complex mess of legalese and regulation and investigation.

And quite frankly, as long as his work stays off of my property, doesn't damage the finishes of my library's facilities, well, I'm quite content to just let him write what he wants, paint what he wants, tag what he wants. Then, and only then, would his works be in direct conflict with my work.

I don't think he's the kinda guy who'd vandalize a library. Reads too much.

Where do ya think taggers get some of their ideas for designs, anyway? The goddamn post office? When was the last time you saw somebody at that newsstand or convenience store, studying someone's work in a magazine or book at leisure, without being pestered to buy shit?

The rebellious nature of the guerrilla artist has always held public temples of individual learning as sacred space, a different sort of vandalism of word and bibliometric organization amongst the billions of print and electronic systems.

Libraries tag the world in different ways, with data-fueled, web-based MARC record aggregators or with call numbers along book spines, with Due Date stamps and bar codes on patron I.D. cards.

Therefore they are, too. They just are. Simple as that.

- MORE -


UPTOWN OXFORD (ZP) -- This town is not what she expected.

Young women dress in cocktail dresses to binge drink in the most disgusting bars. The older, more experienced undergrads dress in jeans and ballet shoes and halter tops when they're out on the town. The bar scene here is almost completely devoid of grad students, locals, or even younger faculty as the clock ticks closer towards last call.

There's no good live music scene here in Oxford Fucking Ohio, no real sense of anything cutting-edge and modern coming from within any place with a stage. She's been to two coffee shops and has yet to see a kid pouring his heart out at a poetry reading, yet to hear even one sappy acoustic ballad about getting dumped in high school or about wanting fame or even about global warming.

No indie bookstores, no record stores, no used clothing stores. Mostly just sandwich shops, bars, tanning salons, and overpriced yuppie boutiques.

"You guys must have one hell of a suicide rate," she says in between sips of her beer. "I'd go fucking crazy if I went to school here. So...ugh... whitebread."

Actually, whitebread is an understatement, I explain. This here college town is home to one of the least diverse state-supported universities in the United States, a mere 35 miles northwest of Cincinnati, a city where almost half the population isn't anywhere near white, much less whitebread.

* * * *

She drove all the way up here to the Edge of Midwestern Academia's Nowhere to watch a woman she grew up with compete in her first game as a college athlete, her younger sister's best friend. Having friendly faces in the bleachers was supposed to help take the edge off.

And they were all supposed to hang out together after the action left the field, chill and goof off and have a blast in a college town that was once renowned for its nightlife, hang out like they did in high school.

Alas, the best laid plans of mice and college girls on road trips...

Sure, I tell her, Oxford was once sorta renowned as a hip college town, back in the 1970s and 1980s, back when the town was making cameos in Rain Man, its long-gone radio station playing tunes in the background as Dustin Hoffman and Tom Cruise bickered about K-Marts in Cincinnati.

But in the naked now of 2008...

I didn't have to finish my thought. The rolling of her eyes was enough to convince me that, yeah, she'd figured that part out. Instead of partying away a long holiday weekend, her kid sister and the childhood friend were back in a hotel room, playing cards, while she was sitting in a preppy undergrad dive chatting away with some strange guy who'd given her his number the day before.

A local. Someone not a student. Someone who's, well...

You know.

* * * *

"No shit? You're a librarian? My aunt's a librarian."

"Yup."

"But you're, what, 22? 23?"

"Um, little older."

"Nuh-uh. No way you're older than I am."

"Huh." I pull out the ol' driver's license, along with a business card, lean into her. "Look at that. A 30-year-old librarian. How'd THAT fucking happen?"

She laughs and grabs my arm, kills her shitty warm beer.

"NOW... you're gonna be MY librarian and give ME that tour of ____ University of... fucking Ohio, or what? Let's bail before I puke..."

Seriously. She dragged me out of a shitty bar at two in the morning on a Sunday to give a walking tour of this fine city. And a tour of Oxford Fucking Ohio, during the school year is better than any museum in town. Complete shitshow most weekends, an orgy of stupidity, a grindhouse version of every college experience cliche.

Think Wild Kingdom meets Girls Gone Wild, with the bad guys in the Revenge of the Nerds movies thrown in, just for shits and giggles.

* * * *

Apparently, I'm a fairly decent tour guide. She had no clue why she called me, why she suddenly had some burning desire to not drink by herself, why she suddenly wanted company and a tour.

At least, well, that's what she told me in the morning.

- MORE -


OXFORD, Ohio (ZP) -- Biggie Smalls. The Notorious B.I.G. Also known as Christopher Wallace.

You know. The guy who used to love it when you called him Big Poppa, before he was assassinated (fuck that murder shit, the man, like Tupac Shakur in 1996, was ASSASSINATED) in Los Angeles a mere fifty yards from Petersen Automotive Museum back in March 1997.

And this kid, a self-described expert on Rock & Roll History at all of eighteen, doesn't get the reference. In fact, he's indignant about it - lots of rappers get shot, right? And he was only, like, seven when some drug dealer got shot.

I try explaining the rapper's unsolved death, the tragic feud between what was then known as East Coast and West Coast Hip-Hop, its place in Rock history, but he puts a palm in my face.

"Man, who cares about rap! I'm talking about Rock & Roll! Nobody'll remember that black shit in another 20 years."

Nobody will remember hip-hop in another two decades? That black shit?

* * * *

You know, rock snobs, mostly of the Caucasian Persuasion, have been claiming such things for three decades, since the days of DJ Kool Herc and Melle Mel and Grandmaster Flash and the Sugar Hill Gang.

When Blondie first introduced the hip-hop sound to a supposedly white rock world, with the rap-inspired "Rapture" in 1981, that wasn't important - just a phase, those critics said. And in 1984, when Afrika Bambaataa teamed up with legendary rock bassist Bill Laswell and former Sex Pistol Johnny "Rotten" Lydon, they said that wasn't rock & roll - it was, as the song suggested, World Destruction.

And in 1986, when Run-DMC's Jam Master Jay first dropped Aerosmith's "Walk This Way" onto a turntable, when the drum loops were added and the lyrics of a rock staple were rapped instead of howled, that wasn't rock, either. I mean, it's not like a bunch of, ugh, rappers saved Aerosmith's career or anything. A flash in the pan, those critics claimed.

When Anthrax and Public Enemy teamed up to Bring Tha Noize in the 1990s, when rapper Ice-T incited the wrath of the White Motherfucking House because of a heavy metal song, back when bands like 2 Live Crew won battles against artistic censorship in Florida that even the great Jim Morrison couldn't...

* * * *

Nope. Everybody's just going to forget about hip-hop. And that black shit.

I mean, it's not like anybody remembers Chuck Berry, James Brown, Jimi Hendrix, Bad Brains, the Motown Sound, Bootsy Collins, Marvin Gaye, Sam Cooke, Bo Diddley...

... Sly Stone, Michael Jackson, Lenny Kravitz, Ben Harper, OutKast, Gnarls Barkley...

I mean, nobody remembers those guys, either.

Right?

Oh.

And the 18-year-old rock critic? Dude was wearing a Bob Marley T-shirt.

Reggae? Nah, probably not Rock & Roll, either.

- # # #-


Thursday, August 07, 2008

THE OXFORD (FUCKING OHIO)
DICTIONARY OF QUOTATIONS:
Blog Awards, Deodorant for the Parts that Matter, Old Bigots and Drag Shows


"Well, I’m presenting it to another bad motherfucker who
knows when it’s time to hit delete and when he has something worth posting, so without further adieu I present The Golden Delete Key Award to The Zenformation Professional."

- THE WOEFUL LIBRARIAN,
@ Your Library, Aug. 1

This really cracked me up when I read it - I wasn't sure if I should write a speech in the comments box, or if I should pull a Marlon Brando and have some former beauty pageant contestant dressed in Native American garb decline the award on my behalf as some sort of protest...

Seriously. No fucking clue what to do with blog awards.

So I'm passing this award on, to the wonderful Pia Savage at Courting Destiny, for choosing to wade out of the political gossip muck that most popular bloggers focus on these days and into a much more dynamic world of blogging focused to fiction, exploratory essays, and writings about living life to the fullest with a nonverbal learning disorder, surviving in a post-9/11 New York, and moving to South Carolina.

That takes a set and a half, trust me. There's more to life than just politics. But when one gets tired of writing about the liars, crooks, and thieves that govern us, well, the online armchair quarterbacks tend to be unforgiving.

And with Courting celebrating its fourth birthday this month, Pia deserves more than a blog award. With some of the nastiness she experienced from her political writing days, she's a living testament to the fact that, yeah, we need a blogger's equivalent of the Purple Heart...

* * * *

"And hey. Let's be careful out there."


- SGT. PHIL ESTERHAUS (Michael Conrad),
from Hill Street Blues, television series.

Recently, I've been spending quite a bit of time wallowing in my own 1980s childhood nostalgia, thanks to the first two seasons of this landmark television series now being available on DVD. No clue why the remaining seasons (the series ran on NBC domestically 1981-1987) have yet to be released. But, well, if you're too young to remember it, well, give it a shot.

I used to watch this show with my mother, curled up on the couch. Now that I'm older, wiser, and able to get some of the adult humor...

* * * *

"Touch that laptop, and I'll cut you, mister."


- A wayward, grad school shopping traveler,
Whilst crashing in the ol' Fortress of Solitude

Why is it that there are people who feel the need to tell me what I CAN'T put online? Especially when all they would have to do is explain to the men in their lives (I spent two nights sleeping between two women on a tiny full sized mattress) that, yes, we all slept in the same bed together because I don't have a guest bed or couch?

Jeez.

The alums from one of my alma maters are just as strange as the Local U. alums when it comes to worrying that I'll somehow use one too many euphemisms and start an argument over something that didn't happen.

And no, nothing happened. Though an apartment without air conditioning...


* * * *

"Look, chicks don't understand. Swamp ass and chafing are the two greatest threats to Mankind's manhood. Maybe not Womankind's womanhood, but..."

- DR. TAINTSTICK, whose idea to keep a second tube
of antiperspirant handy for the ol' scrotum
deserves a Nobel Prize

Seriously. Five guys sat around on the steps of an almost deserted bar a few weeks ago, holding an impromptu Swamp Ass Caucus. And yes, there are things about men women just will never understand.

For the record, Old Spice... tingles. But, working out or out on the trail, wow.

* * * *

"He's just a boy. I dunno. I think I'm ready at this point in my life for a real man."


- A 12 or 13-year-old girl, overheard at
The Oxford Summer Music Festival

Took me three hours to quit laughing. Kids are the darnedest things. Two young girls were bickering back and forth between themselves in an alley behind the bar I frequent.

* * * *

"You know, I'm sick and tired of a few queers ruining
[the Local U.]'s reputation with stupid drag shows. No way in hell is it that popular!"

"It's one of Oxford's biggest tourist attractions, for a good cause, and, well--"


"I don't give money to THIS university to help faggots get outta closets!"

"Well, I don't give a shit about cold-hearted bigots, but I'm still letting you have your say..."

- Heated conversation with a middle-aged,
obviously drunk
Local U. Alumnus last week.

This was the closest I've come to dragging a guy out of a nice restaurant and beating him within an inch of his white-slacks-and-deck-shoes life in several years. Normally, I can deal diplomatically with hatemongers of all sorts - Klansmen, Aryan Brotherhood and Christian Identity members, anti-Semites and Radical New World Zionists, Brown and Black Power types, etc...

The only thing that stopped me? His saint of a best friend from his college years, who reminded me that, yes, even off the clock I - along with the thousands of other employees of my greater institution - still represent the ideal of a diverse educational landscape that values all opinions, even unpopular ones. Fisticuffs two blocks from the Local U. campus would accomplish nothing, aside from possible arrest and a trip to the unemployment line for yours truly.

The Spectrum Drag Show, in recent years, has become one of this community's biggest tourist attractions. The AIDS charity events draw hundreds of people and thousands of dollars into Oxford, which helps the Local U., businesses, and the city itself in terms of public image and revenue. I'm proud, too, to call some of those drag queens friends - they really do make for some gorgeous ladies.

And hey, how many Oxford Fucking Ohio hetero bloggers pose for a quick pic with one of the drag show's founders, Barry from QueerCincinnati? Yeah, the guy's an out-and-proud Local U. alum - and has as much right to be who he wants to be in this town as your average straight alum from the 1960s, 1970s, or even 2008.

What good would it do to be involved in just another drunken brawl on the sidewalk, over someone twenty years my senior being unable to cope with change?

With true diversity comes tolerance. And with tolerance comes that understanding that everybody has a right to their own opinions - even opinions one doesn't agree with.

* * * *

"You can pretty much milk anything with nipples."


- TONE TANK,
"Only in America" [
MP3],
The Black Six Sessions

[
Free EP, ScumLife 2008]

This one lyric has been stuck in my head ever since I first downloaded this song a few months ago.

Tone Tank, one half of the Brooklyn indie duo Iller Than Theirs, has released probably one of the best rap tracks of 2008. And, well, the whole EP is completely free. Check it out.

Seriously.

- # # # -


Wednesday, June 13, 2007

THE ZENFORMATION PLAYLIST 6/13/07:
No Catchy Titles This Month, Just Random Tunes and Notes...

BABY PLEASE DON'T GO [VIDEO]
Lightnin' Hopkins, available on various compilations, most music services

What men like Mozart were to Austria, performers like Hopkins are to the United States. The guy turns a single acoustic guitar into a veritable symphony of sound and hand movement.

While the guitar has been around for centuries, it was not the Old World that mastered it but the New. A large, mostly barren continent was tamed by its legendary musicians, many of whom younger generations tend to forget about, despite being able to download music in mere nanoseconds.

Performers like Pete Seeger, Woody Guthrie, Bob Wills, Hank Williams, The Carter Family, Ralph Stanley, Waylon Jennings, Fats Domino, Marty Robbins, Dizzy Gillespie, Leadbelly, Robert Johnson, Ellis Marsalis, Billie Holiday, Loretta Lynn, Dolly Parton...

It's all blues in the end, baby. All blues. And you either get it, or you don't. God have mercy on those who don't.


LOUIE LOUIE
Black Flag, 7" Single, (Posh Boy, 1981)

This is one of the last studio recordings featuring early BF vocalist Dez Cadena, the precursor to that other guy, that angry bodybuilder dude with the tats...

You know, what's his name? The guy who does the spoken word albums? The dude from the Independent Film Channel who kinda dresses like me?

Mr. Rollins, please don't kill me. Your neck veins scare me.

Seriously, dude. I worshiped The Boxed Life in high school. Changed my life and helped make me the nonconformist, impractical bastard that I am today. And you alone may share my grief, the dreaded fountains - for - armpits curse, that is the bane of the tee-shirt wearin' thinker's existence.


A COUNTRY BOY CAN SURVIVE [VIDEO]
Hank Williams, Jr.,
That's How They Do It Down in Dixie- The Essential Collection
(Curb, 2006)

When I got home from work this afternoon, I just had to play this song, a protest of sorts.

While running some work-related errands after lunch the other day, I heard a group of kids making fun of this older guy, a gentleman who wore his decades as a farmer on his face, for, well, just being an old guy who speaks slow and country.

I've had conversations with the guy before, a cool cat with lots of stories about his time in the Army, growing up in rural Kentucky, and his giving up on a college scholarship to be a farmer. When he was younger, the man was a fighter. He fought for his country, fought the banks, and fought the goddamn State of Indiana to keep funding for the public school his kids and grandkids attended.

He deserves his own song on the Playlist. And a lot more respect.


THE HUNGER
Jesse "The Devil" Hughes, avail. via Artist MySpace Page

Yup. This track, from that former Republican speechwriter and Eagles of Death Metal vocalist, is completely amazing, a New Wave-ish cover of a great Distillers song, probably one of the best Brody Dalle and Co. every recorded.

I first discovered this unreleased gem through a blog lurker, actually. Who knew there were so many Distillers fans out there?


MAMA SAID KNOCK YOU OUT [VIDEO]
LL Cool J, Mama Said Knock You Out (Def Jam, 1990)

You know, I'm just now starting to get well enough to resume my morning chin-up routine. Five sets of eight reps each.

NPR? I don't do that shit. Frankly, Morning Edition puts me to sleep - almost as pointless as commercial radio. I'd still listen occasionally, if Bob Edwards hadn't been booted to make the suits happy. His voice, at least, had rhythm and inflection, much like Mr. Cool J.

And who the hell wants to shadow box in a lonely apartment at five in the morning, listening to a newscast? Seriously.

And while I'm ranting... I miss Around The Way Girls. Maybe I'm just getting old, but Around The Country Club Girls just don't cut it.

Around The Way Girls are generally more independent, make ratty flannel boxers look sexy, and can just keep it real 24-7. Around The Country Club Girls are high maintenance, shallow, and just about as interesting and intelligent as a dead ferret.


BUMP BUMP
Raekwon and Prince Po, The Vatican Mixtape, Vol. 1 (2006/2007)

Wow. There are still emcees in the Rap Game who know how to turn a simple loop and a catchy flow into dance floor perfection.


BLANK GENERATION
Richard Hell and the Voidoids, Blank Generation (Sire, 1977)

There's something ominous about this song turning 30 years old this year. It's hard to believe that the Sex Pistols' only true studio album turns the big 3-0 this year, too.


UNITED FORCES
Raza De Odio, La Nueva Alarma (Scarlet, 2004)

I'm not afraid to admit that I still dig Heavy Metal. And there are only two places on earth that still seem to appreciate the musical genre - Europe and, of course, Central America.

The Razas, based in Italy, are known for their blend of that old-school crunch, with just enough flamenco-influenced leads to make things interesting. And this song, originally by New York thrash pioneers S.O.D., proves that the world can be united through the art of headbanging.


DICKS HATE THE POLICE [MP3]
The Dicks, 1980-1986 (Comp., Alternative Tentacles, 1997)

When I was still big into actually living like a Punker (Christ, even the memories stink of cheap beer and ratty jeans worn for weeks straight), this song was one of my favorites by one of the Greatest Punk Bands in the history of the Great State of Texas. The AT compilation covers their best stuff.


- # # # -

Wednesday, May 02, 2007

THE ZENFORMATION PLAYLIST 5/2/07:
Remixes, Covers and Other Random Hip Sounds To Help You Find Your Bad Monkey Lovin' Self...

SURVIVALISM_TARDUSTED (REMIX) [HEAR IT HERE]
Nine Inch Nails, Year Zero, feat. Thavius Beck and Saul Williams, 2007

Saul Williams? A legend in spoken word. And Trent Reznor? Homeboy gets better with age, really. Thavius? The man is one of my favorite underground hip-hop producers.

A friend of mine turned me onto Thavius Beck a long time ago, but not before Thavius turned her on. She claims to have had the some of the best orgasms of her life while leaning her wooden stool against a nightclub wall in Los Angeles, listening to the cat's stuff blaring through speakers and vibrating her barstool just... oh gawd ... right.

I have a feeling, given the fact that the woman in question is also a huge NIN fan, there are a lot of violated barstools in the Greater Los Angeles area. I don't think I'd touch her washing machine, either...


DAMN IT FEELS GOOD TO BE A GANGSTA [VIDEO]
Geto Boys, Uncut Dope: The Geto Boys' Best (Rap-a-Lot, 1992)

How is it that I'm one of only a handful of people left who fucking remembers this song before it appeared in Office Space?


STRIPPED (HEAVY MENTAL REMIX)
Rammstein, Stripped single (Motor Music, 1998)

Remixed by Charlie Clouser, this cover of a Depeche Mode classic has been scaring the living out of the ZenFo Pro student neighbors for weeks now.


HEY JOE [VIDEO]
Body Count, Born Dead, (Virgin/Rhyme Syndicate, 1994)

You know, this is probably one of my all-time favorite covers of a Jimi Hendrix recording ("Hey Joe," itself, was actually a cover, mastered by the legendary guitarist).

Here's a piece of random trivia: Body Count vocalist Ice-T remains the only artist to ever perform guest vocals on a Black Sabbath studio album, their last studio recording, 1995's lackluster Forbidden. That album was, coincidentally, produced by BC guitarist Ernie C.


PARANOID [LISTEN TO THE COMPLETE ORIGINAL VINYL!]
The Dickies, 7" release (1978)

Speaking of Black Sabbath... how 'bout a Sabbath cover?


REIGN IN BLOOD [MP3]
Terrorfakt, via artist web site.

Yes, this is a grindcore/sludge remix of classic Slayer sounds. Terrorfakt's remixes are generally dark, brooding - a lot of that is tied to the act's history. According to the artist's web site, the project first formed on Sept. 11, 2001, as a sort of club tribute to those who lost their lives in NYC, Washington, and Pennsylvania that bloody day.


GOT UP THIS MORNING [VIDEO]
Sage Francis, Human the Death Dance (Epitaph, May 8, 2007)

This WILL be the be one of the most important hip-hop songs of 2007.

This track, leaked via YouTube, well, yesterday, was produced by Canada's hip-hop version of Tom Waits, Buck 65. The video features super-hot alt-folk contributor Jolie Holland and just about every major white underground emcee of the past five years.

Holland's voice gave me an erection. I'm not going to lie. June Carter and Bonnie Raitt's voices do the same thing.

Sorry.

Glad I'm not wearing sweatpants.


PROBLEM CHILD (AC/DC VS. THE SCAR REMIX) [MP3]
The Scar, via artist MySpace, 2006

This London-based (via Sidney and New York) remix artist has been a favorite of mine for some time now. I don't remember who first turned me on to the guy, really.

But trust me... He's very good at turning on women who find his work buried in your computer's music directory.

For Wombat and Shayna.

- # # # -

Tuesday, April 10, 2007

SO WHAT DOES POVERTY TASTE LIKE?
A Sandwich, A Flashback, and Reflections on a Sadistic America

I've got a strong mind that doesn't have to be spoon-fed,
And I can read what doesn't have to be read...

-Revealed by the Prophet MC Serch, 3rd Bass,
From the epic poem, "Pop Goes the Weasel" [VIDEO],
Nineteen Hundred and Ninety-One, Anno Domini

OXFORD, Ohio (ZP) -- I stared down at my dinner plate, the startling revelation stripping me of my appetite as quickly as dysentery.

Before me lay a wonderful feast of a meal. The flatbread was moist and green with baked-in herbal goodness, the turkey covered in hummus and horseradish, the cheese sliced and fresh from the pre-sliced package.

I froze as I reached inside the bag of whitish, vitamin-filled seedlings, a strange sensation staying my hand from withdrawing the plant life.

* * * *

I flashed back to when I was a boy, back in rural Virginia, sitting on the porch of a childhood friend's family home, a four-room clapboard shack of a place, home to two parents, a grandmother, and five children.

You know, back in the ancient times, the Dark Ages. 1986, to be exact. Back when the cool kids wore red pleather jackets covered in zippers, while the rest of us waited for grunge to make our thrift-store flannel shirts cool again.

My friend and I sat on the porch, gnawing on leftover fried chicken and dry buttermilk biscuits smothered in melted WIC cheese. We split a warm can of Dr. Chek cola.

My friend's dad worked on a tobacco and soybean farm. Their entire family lived off maybe $500 a month. Without thinking twice about it, my friend's mother fed one more child than she could really afford to feed.

And it was one of the best meals I've ever had, sitting on that porch in Prince Edward County, Virginia, soaked in sweat from riding my bike all morning, savoring every bite taken as crickets chirped under the house, as the blacksnakes baked on the gravel county road.

I've dined in some of the finest restaurants in America. Emeril Lagasse's NOLA? I recommend the hickory-roasted duck. If you're ever in the Twin Cities, give the Loring Pasta Bar a try. Masa's is a must for any visit to San Francisco - great vegetarian menu. And the Tobacco Company's Escargot Rockefeller Stuffed Mushrooms remains the best example of Nouveau Southern cuisine to ever cross my lips.

But very few meals will ever top that one back in rural Virginia, the one given freely by a family that could barely afford to keep their electricity turned on or their rusted-out Olds Cutlass running.

* * * *

I slowly, cautiously, pulled a handful of sprouts from the package, careful not to waste even one sprig of the crisp, fresh greens.

Where I grew up, in red-clay poor Virginia, most people will never be able to afford such luxuries. Hell, there are folks who'll never see one lick of health insurance, will never have the opportunity to even complain about a dental plan. Think they're worried about additive-free food?

Right now, there are 14-year-old single moms who are the children of single moms that I went to school with, trying to split six bucks between diapers and food, trying to figure out the bullshit government assistance paperwork while (hopefully) trying to finish high school, too.

And I just whipped up a sandwich with a street value of more than eight bucks, one meal for one person.

Stupid fucking Conscience. Some nights, when I'm alone, it speaks the loudest.

* * * *

Back in the early 1980s, back before my mother went back to work after my sister was born, (my dad's factory job paid a whopping $800 per month, before taxes, which paid our portion of the farm expenses and kept food on the table), our family dinners consisted of cuisine that would send your average health nut running for the nearest treadmill.

Fatty, cheap pork chops, canned store-brand peas, and Top Ramen. Chopped Red Dye No. 4 colored wieners, stewed in pots full of generic, white-package Mac and Cheese.

My aunt made the world's best grilled WIC cheese and onion sandwiches, served with a dab of mustard and handfuls of deep-fried, trans-fat filled goodness from 99-cent family-size bags of cheese doodles. I had a distant relative who can make even the greasiest squirrel or gamiest opossum taste better than even the most expensive cuts of meat. The secret, of course, was in the sauce - Thrifty Made ketchup, a splash of vinegar, and about three pounds of salted lard and butter.

You know, it's a funny thing, poverty in America.

The United States is, in many ways, a sadistic society, a nation so twisted that its poorest citizens are made fat, and eventually killed, by a cornucopia of cheap foodstuff with barely enough nutritional value to be called food, while its wealthiest citizens are the only ones able to afford things like fresh produce, minimally-processed meats, and chemical-free cuisine.

Only in America do the poor get fat because they can't afford to eat like the rich. Only in America do the rich do terrible things to themselves to look famished, while the poorest folks are encouraged, through slick marketing and product placement, to Super-Size and Go-Large everything.

In other nations, poverty is marked by starvation or malnutrition. In the U.S.? poverty is measured, health-wise, in terms of morbid obesity and heart attacks.

* * * *

It wasn't the random flashback alone that disrupted my otherwise peaceful supper.

It was something that happened here in Oxford recently, while shopping at the local grocery store, that turned a simple meal and reflection into a painful, almost nauseating experience.

A group of young, affluent women - local undergraduates - had been shopping in the organic aisle next to me, buying some of the same foodstuff I was purchasing.

A very large woman (easily more than 500 pounds) was trying to make her way down the same aisle with a shopping cart full of all sorts of clearance and discounted items, mostly potato chips, soft drinks, fatty cuts of beef, and economy jars of mayonnaise and store-brand peanut butter. The woman had five young children with her, all overweight.

The clothes the family wore were old and stained, clearly hand-me-downs or yard sale finds. One of the kids, a cherubic blond boy, sported an Tupac Shakur tee-shirt from the mid-1990s, an adult shirt that stretched tight across his large preteen frame.

The woman seemed very self-conscious about her weight, as she was wider than her shopping cart, apologizing numerous times for having to pass through the usually not-so-tight aisle.

* * * *

After the woman passed, I returned to my shopping. The young, affluent, dangerously thin college students, however, were whispering and laughing to themselves.

"Can you believe somebody fucked that thing? Oh my God, if I looked like that, I'd shoot myself."

"Did you see that little boy? Like, talk about trailer trash."

"See Becky, I told you they had wiggers here. Fat ones."

It was the wigger comment that drove me to, well, force my way into their conversation. I'd had enough, really.

"Don't ya'll skinny-ass bitches have somewhere else to be? Seriously, you ain't all that, especially you with the buck teeth. You shouldn't talk. I didn't know Mr. Ed had a kid.

"And you? Who are you? I've seen better tits on goats. And what is that on your lip? You might want to wax that shit. You look like Hitler in drag..."

I lit 'em up. We're talking Old School snappin'. Haven't laid the verbal smackdown like that in years. Rusty, but I think each scathing remark was dead-on in terms of hitting its target.

Don't ever, EVER make fun of poor people around me. I was a big kid myself, too, and, well, being one of the very few white kids to graduate from a successfully integrated, ethnically diverse Brown v. Board public high school, I don't take kindly to the use of the word wigger.

The women just stood there, jaws maybe three inches from the floor. I thought one of the women was going to cry. I didn't care.

You see, people who view themselves as somehow perfect don't deal too well with the idea of imperfection. As long as there's an us and a them, there's aways a latent fear, some insult that tears deep into the psyche.

Why is it the self-described pretty people just can't take their own imperfections being exposed, but seem so quick to point out the imperfections of others? Do they not know it works both ways, that there's no such thing as perfect or universal prettiness?

* * * *

I managed to choke down my overpriced, homemade sandwich. Memories of my childhood and of recent experiences may have stripped my appetite, but my Conscience wouldn't let me walk away from it.

If you make a sandwich, even an eight-dollar sandwich, you'd better be willing to eat it, especially if you know what poverty really tastes like in Rural America.


Cause' I keep lookin' and huntin' just like a lion,
Let the suckas know that it's them that'll be dyin',
I show no remorse to the source of the tales,
And if they yell, then the hungry better battle...

- Boo-Yaa T.R.I.B.E., in the Temple of the Faith No More,
"Just Another Victim," [VIDEO],
From the Judgment Night talking picture soundtrack,
Nineteen Hundred and Ninety-Three, Anno Domini

# # #


Sunday, April 01, 2007

THE ZENFORMATION WIRE:
Random Web Reviews for Random People


BOHEMIANS 2, PROSTITUTES 0:


WHORES & WHOREHOUSES...
[YOUTUBE VIDEO]

Miz BoheMia's Rhapsody

The Bay Area's most famous homesick Spain Dweller Goes Gonzo on European Sex Trade as only she can.

SPAIN (ZP) -- There are very few bloggers out there that can leave me speechless.

Homegirl MizzyB does it constantly.

I've been trying to leave a comment for days regarding this video, but I almost piss myself every time she says the word whores.

A few months ago, she began including video content on her blog, documenting her day-to-day life as a mother and wife to her very chill husband, known only as Loverboy.

The video clips, which Miz Bohemia hosts through YouTube, provide a unique, truly original look at the life of an ex-pat struggling to find a way back home to California, come to grips with various family issues, and, well, even exploring the world of dental repair and chickenpox in ways only a former Bay Area resident can.

Every once and a while, MizB posts a vid to her YouTube account that explores the cultural differences between her more progressive, multinational background and typical life in the small Spanish city she and her husband have been trying to escape for several months.

In her latest installment, she and Loverboy hit the streets of her city's industrial areas, seeking to document the region's legal, working class prostitutes. One part Blair Witch Project and part in-the-moment gonzo journalism, MizB and Loverboy cruise around town, camera in tow, capturing stark images of streetwalkers, brothels, and other elements of the Spanish sex trade.

The conversation between a husband and wife, impishly discussing ways to capture better angles and swapping dialog off-camera, is amazingly comical, pure improvisational genius.

It's actually one of the best reality vlog projects I've seen all year, and Miz Bohemia holds true to her blog reputation as one of the most brutally honest and open bloggers out there.

If Hunter S. Thompson hadn't sucked down live ammunition back in 2005, and happened to be a sexy free-spirited yoga instructor with an equally devilish husband, I'm sure this is the kind of stuff he'd define as true Gonzo.




FINE ARTS...THAT YOU SHOULDN'T VIEW AT WORK:

GWAR! :: THE OFFICIAL CYBER-FORTRESS OF YOUR LORDS AND MASTERS

Virginia's Legendary Demonic Spawn and How The Wisdom of Oderus Urungus Built One Sick and Twisted Librarian

RICHMOND, Va. (ZP) -- Okay. Cool story.

It was sometime back in high school, probably 1995 or 1996. Three friends and I, having decided that beautiful spring days in Virginia were meant for things more important than stupid AP History courses, ditched class to spend a few days hanging out in Richmond's Shockoe Slip and Shockoe Bottom districts with these girls we'd met at a music store.

We were, in all honesty, heavily intoxicated most of the time. We slept in my friend's rusted-out '77 Buick at night, spending a good portion of our time drinking way too much MD 20/20 and Colt 45 malt liquor. During the day, we'd wander the streets aimlessly. We spent a great deal of time hanging out on Monument Avenue, back before that butt-ugly Arthur Ashe sculpture was erected, the one where the tennis great seems to be beating a group of schoolchildren.

At one point, while grabbing some grub at one of Richmond's awesome greasy spoons (the place is probably a Starbucks or Blockbuster now, thanks to the recent infestation of Yuppie Scum), one of my buddies spotted this very un-GWAR-looking dude sitting at a table near ours.

Oh dude! Dude dude DUDE! I think that's Dave Brockie!

Oderus Urungus?

Naw, the guy from Death Piggy!

Oh shit! My cousin hooked me up with a mixtape with their shit. They were like the greatest Richmond Hardcore band ever!

And being young, stoned, and, well, stupid kids, we didn't realize that GWAR's lead vocalist and Death Piggy's lead vocalist were actually the same person. Before adopting the gruesome makeup and shocking stage antics, Brockie was already a local music legend.

The guy at the table was indeed the Legend himself, the No. 1 Scumdog of the Universe, in the flesh and sans gigantic rubber penis or other prosthetics. Oderus/Dave turned out to be one of the coolest cats, more than willing to discuss everything from GWAR's artistry to his being shocked that a bunch of high school kids from rural Southside Virgina actually knew about the Death Piggy days.

Didn't ask for an autograph. Figured the twenty minutes of conversation was worth much more than any signature. Still one of the coolest days of my life.

I've been a very bad librarian here in Oxford, in the very naked now, utilizing WorldCat's advanced search options to assist the youth of America in locating GWAR-related materials.

Not much out there, actually. Who'd a thunk it?

But check out GWAR's awesome web portal, one of the most creative (and nauseatingly original) band sites out there. Very interactive and fun.

And who doesn't love having to scroll over the fingers of a severed arm (image above) to access a web site's navigation controls?



MUSIC: KEEP ON RAPPING FOR THE FREE WORLD...


RAMALLAH UNDERGROUND
ARTIST COLLECTIVE

[RU MySpace Music Link]
Bringing the Palestinian Visual Arts and Urban Music Experience from the West Bank to the Western World



RAMALLAH, PALESTINE (ZP) -- I discovered this site a while back, through a friend. For those unaware, I'm a huge supporter of the global hip-hop phenomenon, as the medium serves as a positive, artistic outlet for many folks in impoverished and/or oppressive societies.

One song currently in heavy rotation in the ZenFo Pro apartment, for example, is the R.U.-produced Amputate [MP3], a rocksteady-driven collaboration between Palestinian emcee Boikutt and London-based hip-hop activists, The Unpeople.

And check out the stellar photography of collective member Mohanad. This photograph alone is worth a view or three thousand, capturing life in a region of the world that's been a war zone for almost a century. Or how about this photograph by Collective member Jana, depicting a grinning child in front of graffiti that reads Palestine = One Giant Concentration Camp?

Like the work of their American hip-hop forebears, The Ramallah Underground takes a simple formula and recreates it in their own image, the image of their culture and issues important to their community.

Now that's power. And that's the real spirit of hip-hop, too.

* * * *

Rap music was birthed in the ghettos and inner-cities of America's poorest communities and, like jazz in the 1960s, has become the beacon of hope and musical medium of choice for protest and expression worldwide.

Who needs the worthless mass-marketed, overpriced shit the American major labels are pushing in Moscow when there's the lyrical mastery of guys like Seryoga, who bumps out out the Post-Soviet beats? And Big Black Boots [check out the video for Opasno at YouTube] gets Slavic asses a-grindin' from Kiev to St. Petersburg.

Africa?

Tanzania still mourns the loss of the late Faza Nelly, a founding member of the legendary X Plastaz. Faza's last music video, completed right before he died in 2006, is probably one of the best examples of how rap music has evolved on the continent, a native-language testimonial on the true face of global poverty.

Or how about Ugandan emcee Tshila? Uganda needs strong, empowered women - all of Africa does. And if there's any one female emcee who embodies this, it'd probably be this Kampala native. If you are brave enough, feel free to watch this video clip.

I couldn't through it without tearing up. Tshila's brand of hope isn't the kind mass-marketed here in the States.


Honestly, listening to the ever-expanding world of hip-hop makes my own country's hip-hop scene look bad. Talk about a collapse of conscience. In 20 years' time, we've seen the mainstream subculture "evolve" from the message of acts like Public Enemy to the almost Amos 'n' Andy aesthetics of Crunk.

While American emcees spent much of last year trying to prove
their worth in Bling, stapling platinum fronts to their grills, and gloating over homes and cars worth more than the GDPs of some nations, Turkish emcee Jonturk was putting together one of the most powerful anti-war protest songs of all time (screenshot, right), an international collaboration that included everyone from Germany's Albino, Irish alt-rockers Cyclefly, Turkish compatriots Sirhot and Elnino, and Greek/Albanian rap act, the Microphone Snipers.

Jonturk and Co. had the downright cajones to create a video detailing just about every major human rights atrocity of the 20th and 21st century. Think Diddy would bother to put forth that kind of global effort, would risk pissing off those affluent neighbors in the Hamptons, the ones who own stock in the very companies that make the war profitable?

In many ways, the parent has become the child. And like many children in the Developed World, it chooses to stay blind to the bigger world around itself, enveloped in a world of self-absorption, too much comfort, and very little acceptance of responsibility.

That may be the enduring legacy of American hip-hop as a mainstream medium. Thank goodness for the rest of the world.


- REVISED April 3, 2007
(Left Sirhot, one of Turkey's big cheese emcees and producers,
out of the graph discussing Jonturk's Refuse, Resist, Say No clip.
Sorry about that.)
~ Jason


# # #