Showing posts with label Childhood. Show all posts
Showing posts with label Childhood. Show all posts

Tuesday, October 20, 2009

COSMOPOLITAN STRANGERS:
Globally Conscious Childhood Development, Without Ever Leaving the Country, Leads to Seriously Un-American Americans

OXFORD, Ohio (ZP) -- It's easy to tune out the rest of the world, in a - let's be honest here - rather isolated rural college community surrounded by the college-aged children of some of the wealthiest, most culturally sheltered Americans ten months out of the year.

Within the Oxford Bubble, hell, it's easy to tune out the fact that the median family income for the average Local U. student is estimated to be between three and four times that of the surrounding community, to ignore the economic and societal divides, the extreme wealth in the face of some very impoverished people...

Well, for some people it's easy. For me? Not so much, really.

A simple tour of the campus at three in the morning on a rather frigid Saturday had turned into a rather heated debate.

Personally, I blame the amount of booze we'd both consumed earlier in the night, the lovely bottle of Jack Daniels we were sharing to chase away the Hair of the Dog as we walked.

"Serious, J. - are you sure you're even a fucking American?" The Visitor said. "You don't have cable, don't know who [some pop star] is. AND NO CANDY. And working in this fucking Lalaland... I swear I'd shoot myself..."

Pfft. Struggling actors. Not only do they use me for a floor to crash on, but they just love picking arguments when they're out of work. Something about building up future emotional reserves for casting calls...

"Why do you say that?"


I was still laughing at the fact that it was the fact that I don't have cable television, nor knew who some apparently famous reality television guy was, that set her off.

"Because you don't act American. Not even like Eurotrash wannabes. What the fuck are you?"


* * * *

So here's the deal. I may BE, by birthright, an American, a citizen of the good ol' United States. But I've never really fit into my own country's culture.

In fact, during my formative years, I was relatively sheltered from it, tucked away in a remote corner of the country, surrounded by equally naturalized citizens who didn't exactly fit in, either.

But while I may have grown up isolated on a small family farm in rural Virginia, I was never sheltered from the world. In fact, if there was anything I can be accused of having been sheltered from, it'd be from the culture and customs of Mainstream America.

My father's parents - who technically owned 80 percent of the place - weren't exactly what most folks would associate with a Hillbilly-Cajun union. They'd spent four decades as diplomatic globetrotters, hitting every continent but Antarctica. After spending almost their entire adult lives in mostly developing countries, they really never seemed comfortable in retirement with the often frivolous, shallow culture of the Consumerist Patriotic Motherland.

Yes, I grew up in an isolation tank so much smaller than the societal bubble that surrounds my current home. But I was never sheltered from the greater world - my cosmopolitan kinfolk made sure my sister and I would grow up to be global citizens, without the crushing burden of Post-Industrial United States they themselves didn't fit into perfectly.

I learned to read on a steady diet of newspapers and foreign policy journals, English translations of some of the world's greatest writers, even NATO and United Nations documents. I had toys, sure, but often they were secondary to the 170-acre playground filled with barns to explore, ponds to swim and fish in, fruit trees to climb.

Growing up in the heyday of reckless greed and glut that was Mainstream 1980s America, my sister and I were probably two of the least American children in the country. We learned more about our own country's culture in the same way first-generation immigrant children learn it - in public school classrooms, through making friends with those for whom the culture was natural, through television and radio.

Imagine, if you will, being a man who though born in the United States and having never been off the North American continent, who grew up basically a foreigner in his own land, who matriculated within a culture as a child and teen but who never really was taught to look at it as his own culture.

In all honesty, it's made for some often uncomfortable, heh, assimilation issues for both my sister and myself, growing up surrounded by people who'd spent more time outside of their own country than in it. But, overall, I can't imagine it any other way, and I think I'm a better person for it...

Look at it this way. A retired high-ranking intelligence official once told me that I'd been given one of the greatest gifts any kid in the United States can receive: the freedom to be my own American without my own country's boundaries, cultural pollution, or baggage, to start with a clean slate.

My dad and his brother were given the same amazing gift by my grandparents - while their countrymen were obsessing over the Beatles and Elvis, they were climbing the Pyramids of Giza. While their peers here stateside were obsessing over Cowboys-and-Indians movies, they were running into Big Duke Wayne himself in five-star hotels after being evacuated from war zones.

Of course, well, I'm also a bit of a fuck-up, so I added quite a bit of my own baggage and the slate dirtied up fairly quick...

But, well, for every fuck-up in life, I can honestly say I did it to myself. The violence, the drug abuse, the hoodlum tendencies to gain street cred, the slackertude and solitude, even the occasional dive into either easy women, psychotic women, or, well, sometimes the occasional wife or gangbanger's old lady.

Without a net or a scapegoat.

Hell, I can't even blame the wicked metal, punk, and rap music I discovered as a teenager, the subversive literature I still read, or the fact that the closest thing to an abusive moment in my childhood came in the form of being required to watch the nightly news...

* * * *

I tried my best to explain, well, where I think the origins of my supposed American Un-Americanisms lie, how growing up in a secluded environment surrounded more by global culture than my own country's culture essentially made me a de facto Military Brat without the moving from base to base, country to country...

Sadly, I was fairly drunk by the time we made it back to my place, and my childhood tale ended up coming out a lot more rambling and long-winded than this writing.

"That's hella fucked up... so basically..." The Visitor laughed, throwing herself down on her sleeping bag on the living room floor, "... You were fucked up by your fam and you're still fucked up... but in a good way?!?"

I poured coffee into the auto-drip, flipped the switch, emptied out the rest of the bottle in the kitchen sink. (I don't keep booze in the house - and I don't like backwash liquor shots, either.) When I turned the corner, The Visitor was digging through my movie collection for a DVD to sober up to.

"Dude, you have no chick movies. This is why you're single."

"I dunno..." I reached over her shoulder and grabbed a film out of my Classics section. "How about this? The Italian chick sent it to me last year-"

" - Still single because you're nice to fucking ex-girlfriends, too."

"LOVERS. Or flings. Let's be classy here. Anyway, read the back of the case..."

Bertolucci's classic. The Conformist. Sex, death and a Fascist State.

The Visitor fell asleep 20 minutes into the film - subtitles, dammit. And too complex, I guess. No CGI, no overly choreographed action scenes, lots of talk.

I watched the film, sipped coffee, and waited for the sunrise. And afterwards, I put an indie rap mixtape playlist on repeat on the netbook, puked, had another cup of joe and a fried egg, and passed out myself.

A perfectly normal all-nighter for me.

I like being a fucking weird Un-American American.

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Monday, July 21, 2008

OXFORD CONFIDENTIAL:
Life's Nothing More than a Lyric to a Song Sometimes...

" Folks said I grew up early, and the farm couldn't hold me then; So I stole ten bucks and a pickup truck and I never went back again."

- As recorded by ROY CLARK, Dot Records, 1970,
(Country music legend and actor from Meherrin, Virginia)


OXFORD, Ohio (ZP) -- It's damned near impossible for me to operate any sort of vehicle without some sort of music to guide my mechanical reflexes.

You see, there's a switch in my brain - one that has colloquially been referred to as my Virginia Gene or, alternately, as latent Southern instinct - that prohibits me from driving machinery without the ability to hear a song, even if that means that I have to sing those songs myself.

I didn't even realize that I was singing along to the song on the radio, sitting there at the stoplight, belting out a gravelly impromptu duet with the singer-songwriter as the compact disc played his Sunday-perfect "Cold Cold Ground" loud and crisp.

And I, of course, didn't realize that my pickup truck performance had drawn an audience, three very attractive young brunettes in a sedan in the turn lane beside me. I turned my head to check my side mirror and, embarrassed, I let my voice die back down to a hum.

"Hey, don't stop!" the girl in the front passenger seat hollered. "You have a nice voice! Whatcha listening to?"

I tried to ignore the question. I felt myself sliding down into the bucket seat's upholstery, felt my hands reach up to pull down the brim of my LSU Tigers baseball cap.

"Hey! WHAT. ARE. YOU. LISTENING TO?"

"Tom Waits."


"Oh. Cool."


The light changed. I glanced over at the car beside me before pushing onward towards the grocery store. The brunettes waved and, well, laughed amongst themselves.

As soon as they were out of sight, my hum slipped back into its gravelly, off-key duet.

* * * *

When I was but a kid, the veritable knee-hugging grandma's boy, my grandfather used to take me with him on his weekly trips to the farmer's co-op, out in the tiny town of Burkeville, Virginia.

He'd load me up into his old orange-and-creme colored pickup, pull my little cowboy hat down tight around my ears, make sure my shirt was tucked in and my shoelaces were tied. He'd climb up into the cab himself, check his mirrors and gauges and blind spots, with all of the mechanical precision of a surgeon - or, more appropriately, like the CPO surgeon's assistant he'd been during the Allied invasion of Sicily - before turning over the engine.

And as soon as we were halfway down the mile-long driveway, at the edge of the alfalfa field near the entrance to the woods, he'd chomp down on one of his cheap cigars, cock his cowboy hat to one side, and turn on the radio, tune the dial to Virginia's legendary WSVS 800 AM.

"Well, hot damn!" he'd say. "You got that purdy singing voice ready to sing?"

"Yes sir," I'd say.

I was, believe it or not, a very polite, well-mannered child. No clue what happened.

And how we'd sing along to that radio! Humid piedmont air would whip through the cab of that pickup as we belted away, the grandson and the grandfather, out through the truck's open windows, out towards the passing tobacco and soybean fields, the peanut lots and the field corn.

Those magical old-time country songs came out naturally, with lyrics like Hank Williams' eerie Alone and forsaken, by fate and by man / or Lord if you hear me, please hold my hand... and the Carter Family's crackling prompts of Stand up, boy / And listen to your crime / Gonna send you up to Richmond / To serve out your time.

A thing of beauty, always, those trips with my grandfather out to the farmer's co-op in Burkeville. There were other trips, too, down to South Hill and Chase City to bid on cattle, sojourns to Keysville for soft-serve ice cream and the mandatory military-style haircut.

When my grandfather died in July 1987, I spent many a lonely evening curled up in the cab of his old GMC Grand Sierra, listening to old country and bluegrass songs on WSVS, trying to sing through tears.

Sometimes, you just have to sing your heart out, even if for no other reason than to simply make room for something else.

* * * *

I pulled into the grocery store parking lot, still singing away.

Actually, better yet, I was now chanting and rapping along to the radio. The homemade compilation CD had switched to another track, a not-so-old favorite, Los Angeles emcee Awol One's "The Rules of the Week."

A Los Angeles-based ex once surprised me with a last-minute flight out for a visit. We went down to a club to see the guy perform live... fun night and good memories, despite how that fling ended...

As I sat there in the parking lot, I felt myself being pulled backwards in time, let my mind zone out for a bit, exhale the past within the framework of its very own soundtrack. Finally, as the song ended, the memories were returned to their rightful, nostalgia-free place. I killed the engine, opened the driver's side door, and returned to the real world.

As I sauntered across towards the grocery, I couldn't help but take notice of my surroundings.

There were other voices, you see, singing along to other car radios, in harmony, loud and crisp through humid Sunday summer air.

A pair of children - a preteen girl and a young boy - sat in rusty blue van in one of the handicapped spots, up near the front doors, an elderly woman in the front seat. They looked to have just come from some church service, dressed in dresses and ties. And how much fun they looked to be having, waiting for whoever the driver was who'd left them alone to sing in the car.

The girl was singing into a hairbrush, the boy into an empty soda bottle, and Granny was just a' rocking to a windshield audience. They didn't have a care in the world, didn't care who heard their family rendition of the so-not-gospel 2004 R&B/country hit, "Over and Over," by Tim McGraw and Nelly.

Well, hot damn! I thought to myself. I friggin' love that song.

I spent the entire shopping trip humming that tune to myself.

Stupid Virginia Gene.

Can't even operate a friggin' shopping cart without a song stuck in my head.

- # # # -