Showing posts with label Gossip. Show all posts
Showing posts with label Gossip. Show all posts

Monday, July 16, 2007

MORE DISPATCHES FROM THE ROAD:
On the Central Coast, The Shit Always Hits The Fan After the Wine...

SAN LUIS OBISPO, Calif. (ZP) -- It started out as a hug, innocent and casual, two friends greeting each other outside of an upscale cafe.

And then I felt my arms around her close a bit tighter, felt her hands run up my spine. My left cheek slid down her right, my lips down to the nape of her neck as she buried her face into shoulder.

It was the sheer black sundress that did me in, that allowed old passions to flare back up, cinders for the forest fire. I'd seen her in skater garb, in stereotypical punker gear, even completely nude on top of me. But I'd never seen her in a dress.

Ravishing. Simply ravishing.

She mumbled into my shirt collar, mumbled in that innocent, almost childlike voice so many women are able to harness during times of heightened emotion.

"I hope you don't hate me. I didn't know if I could do this. I know you don't drink wine, but I wanted a place we could, like, just talk in private."

"Chica, I didn't know if you'd show up. I lied to my dad, told him I was going to Pismo Beach."

"Tonya" laughed.

She'd lied to her parents, too. Her father's still planning on putting me six feet in the ground, still blames me for ruining his daughter and granddaughter's financial security. Never mind that his daughter wasn't happy with her ex-husband, or that the ex-husband was really in love with someone else...

* * * *

By the time she looked up, my hand was on the back of her neck, fingers electric and fluid along the back of her skull.

"It's been hella evil, dude. Everybody knows. I so fucking sorry."

"S'okay, hon. It took two to tango, and we tangoed ourselves into a fucking mess."


Though "Tonya" and her ex-husband are on decent terms following their divorce, the upheaval - the failure of a supposedly perfect marriage - has led certain gossipy elements to conclude that, well, Tonya really is the trailer trash her ex mother-in-law always said she was, behind her back, and that I really was the cold, manipulating, womanizing bastard many of my former radio listeners thought I was.

Fucking each other's brains out back in December, back when she was still married, probably didn't help much. Cost me quite a few California friends, including almost all of the college friends I'd made while a student at Cal Poly back in the late 1990s. Cost her a whole hell of a lot more.

The last thing in the world either of us needed - she needed - was a very public kiss on a very public street, in broad daylight.

A peck on the cheek would have to do.

No need to give anybody anything else to gossip about.

* * * *

There would be no trip to a cheap motel this time. No six male orgasms, 12 female orgasms, no torn clothes, no dislocated shoulders or wedding bands on the nightstand.

The kid stuff was over. Fun, but reckless. Things could've gone much worse. Reality, sadly, creates its own rules, dictating things like maturity and decency like overpaid company presidents dictate cold memos to underpaid secretaries.

Six months removed from our fling, the time had come for the two of us to behave, at least for an afternoon, like stereotypical Central Coast 20-somethings - to take in a late lunch at a trendy bistro and split bottles of good Edna Valley chardonnay, cell phones laid out on the white tablecloth like gunslingers at a card game.

We racked up a $136 tab in just under two hours. I winced as I signed the credit card receipt, winced as I realized that I'm no longer in a position, as a librarian, to blow such fundage on a simple lunch. "Tonya" offered to go dutch, but I wouldn't go for it.

She'd bought the sheer, overpriced sundress - the second one she's ever owned, the other being her wedding dress - simply to hang out before she flew back to her home in the American Southwest. It was also an excuse to spend a bit of money, to go all girlie-girl and relieve stress through shopping.

When she again protested, I reminded her that, no, this wasn't a date, and, well, she'd invited me out for lunch - the guest always gets to choose who pays. Besides...

Wow.

That dress.

She just looked so, well, damned perfect in that damned Vera Wang getup (correction: I guess it's called a Mini Tank Dress, not a true sundress), and I looked so schmuckish in the first wrinkled polo I could dig out of my travel bag...

* * * *

"Goddamn it, dude. I'm walking in the water. Quit being such a fucking pussy. Cops don't care."

You know, women wearing $500 dresses tend to go diva after stereotypical Central Coast lunches, especially after sucking down $60 worth of chardonnay.

"Tonya" slipped off her heels and, as nimbly as a former skateboarding goddess can be, slid her feet beneath the bronze, grizzly-shaped fountain.

She once told me she used to rack up citations for riding her board through the park, that one of her old boyfriends had been nailed for meth back in 2002, right beside the fountain. For me, Mission Plaza brings back nothing but drunken undergrad memories - of puking on Higuera Street and pissing in the long-gone parking lot across from Woodstock's Pizza, of sleeping off Irish Car Bombs and Kamikazes and Gin and Tonics.

For both of us, the plaza represents a lot of juvenile things, California war stories. A beautiful city park, beneath a gorgeous Spanish Mission, in a quiet little town full of hypocrites and secrets.

"Ya know, I thought you were gonna kiss me back there."

"Back where, chica?"

"Before we ate, outside of ______. You had that look. That squinty thing."


"Squinty thing?"

"Like, you squint your left eye when you're, like, thinking of trying to get away with something."


"So... could I have gotten away with it?"


"I dunno. Christ. But _____'s mom has a lot of pull in SLO, a lot of nosey fucking friends, shrivelled old cuntbags."

"Do you care? I mean, you're not married anymore."


"____ is my ex-husband. His mom knows about the motel room, everything. And we just finalized custody. I have to care. I don't want to give the bitch any more ammo. Ya know?"

"Tonya" stared at her ankles, tip-toeing across the tiled bottom of the fountain.

"Yeah, I know."

Being an adult fucking sucks.

* * * *

Walking "Tonya" back to her rental car, we chatted away about all sorts of completely batshit random things - her unhealthy crush on Nomar Garciaparra, my weird food allergies, her famous customers, and my sorta famous adult performer exes.

She still had four hours until her flight back home, back to her world full of purchase orders and sales reports and payroll issues. We sat in the parking garage for at least an hour talking, perched up on the hood of the compact rental, like we had all the time in the world.

At one point, she had her head in my lap, feet propped up on the windshield, twisted in ways that would make a yoga instructor envious. I put one hand on her shoulder and one on her hip, just in case she started to fall.

I guess she thought my hand placement meant something more.

"Jason."

"Yeah,
chica?"

"You can get away with whatever."


"Whatever what?"


You know, I'm dense. Really dense.

"Yeah, but we're just friends. Friendly."

"If that. You're a dangerous fucking guy, dude."


"Tell me about it. Ya ever have mono?"


"Tonya" laughed and sat up, sharp elbows digging into my thigh, eye sockets pierced by that flirty stare thing she does.

* * * *

One hand slid from shoulder to breast, the other from hip to stomach.

Things went downhill from there.

I felt every corner of her tongue as we kissed, felt that tongue barbell of hers clicking against my teeth, felt every goosebump on the back of her neck.

It's amazing how easy it is to get lost in a moment, for me at least, to forget that one is actually in a crowded parking garage, that a true stereotypical San Luis Obispan rarely runs his hand up a $500 dress in public or slides her hand down the front of jeans...

As we slid into the back seat, adulthood - that stupid, goddamn reason-outweighs-lust part of it - kicked back into gear.

Something, well, just didn't seem right.

My brakes ground to a halt first; I was working my way south, down past her navel, my tongue an inch above her tan line. The c-section scar, barely noticeable, jumped out at me.

Hadn't noticed it back in December, and it didn't really turn me off. It did, however, remind me that if any one of her ex's family members walked by...

I looked back up at "Tonya." She was still into everything, physically (some poor shmoe at the rental place had one hell of a stain on his hands), but she seemed distant, her eyes filled not with any sort of pleasure but with what looked like... guilt.

"Hey, um, maybe we should..."

I couldn't get the STOP word out. Just wasn't happening.

"No, dude, it's cool. I want to..."

"Want? No. But maybe we need to..."


Again, unable to simply say STOP. Feeling just a tad uncomfortable, I came up for air, slid right beside her, between her back and the fabric.

"Tonya," I guess, figured I was just positioning myself; she reached back and guided me inside, pushing hard, to the point of causing her to wince.

Now I was more than just a little freaked out. "Tonya" was thrusting back, hard and deep, almost as if she was intentionally trying to cause herself pain, to use my flesh as a torture device.

I pulled out.

"Nah. I think this violates the whole 'Let's just be friends' thing, chica."

She couldn't make eye-contact.

I heard that childish voice again, too. She said that she, yep, needed to stop, that she wanted to just fuck away an afternoon in a car, but fear paralyzed her, fear that I wanted something more, fear that she wanted more...

And then she started to tear up, her face flushed, almost angry.

She said she wanted to throw up, felt as if she was on the verge of ruining my life, of dragging me back down into the pit with her... Even just being friends wasn't going to work, it was hurting both of us... we were being immature and only one of us could afford it...

A complete, screeching halt.

I just held her for about an hour, until her cell phone started to ring, until her mother called to ask why, exactly, her daughter used the word fuck so often.

* * * *

No long, dramatic goodbyes. The whole thing ended as it began back when she was just a high school kid with a skateboard, and I was a 21-year-old reporter: awkward silences and strange glances, a quick catch ya later, as if being 2,000 miles apart was somehow the same as living a few cities away from one another.

C'est la vie.

* * * *

I kept looking into the rear view mirror as my borrowed convertible crawled up the Cuesta Grade.

I'm not sure what I was looking for, exactly, but I saw something I hadn't seen before, something buried in the ever growing lines in my face, beneath the increasing numbers of gray hairs.

I saw an old man, a terrified old bastard, staring back at me.

Whoa.

Where the fuck did he come from?


- END -

Wednesday, June 27, 2007

ON THE FILMS OF THE LATE WARREN OATES *:
"I Got the Motive Which is Money
And the Movie Which is Cheap.
"

OXFORD, Ohio (ZP) -- Of all the luck!

There, right beside the 20 Items Or Less checkout line, buried in the back of a deep discount $4.88 display, sat a lonely copy of one of the finest American films ever made.

I figured it had to be some sort of mistake.

Back in the home entertainment department of this particular Big Box Store, they were selling all sorts of freshly minted garbage for upwards of 20 bucks.

Sidney Poitier and Rod Steiger, two legends of cinema in their most influential film together, one of the most electrifying movies of the Civil Rights era...

... Reduced to the bargain bin.

In The Heat of the Night, winner of the Academy Award for Best Picture, 1967. Five Oscars total that year, three Golden Globes, and scores of other, lesser known awards.

All for a whopping four dollars and change.

They no longer call you MISTER Tibbs, Mr. Poitier.

They call you an impulse buy.

* * * *

So what?

If Jessica Alba's tits (which is used as an example not to knock the actress's knockers - they are indeed some very fine breasts) sell better than your powerful, ancient performance, well, you belong in that cardboard display, next to the overstock copies of Dodgeball, Mr. Poitier.

Hell, the movie business has never been about actual actors or awards or screen-writing. No business subsists as art. And the studios? They control the ebb and flow of cinematic art, its mass production, distribution, and subsequent sale.

But so what?

Big box stores are experts at moving mass-produced, distributed things, even if it means sticking cinematic masterpieces next to the bags of potato chips, in the hope that some schmuck with a debit card will come along, recognize the DVD, and gobble it up like any other product.

Who wants to watch some old movie anyway? A 40 year-old movie?

Even at $4.88, it'll still make somebody a profit, even if it's marked down further, to ten percent of cost.

And some of that will go to the owner of the original master print, some of that will go to the distributor, and a good chunk of that will go to the Big Box Store. And then there's the manufacturing costs, the scant money paid to those Southeast Asian factory workers who actually create the disc, the plastic cover, and the cardboard inserts...

But that's Hollywood for ya. Glitzy and oh so glamorous. After all, nothing screams Show Business quite like a cardboard box full of marked down, forgotten DVDs.

* * * *

And the score goes to me, the debit card wielding schmuck of the day.

I just couldn't leave a classic piece of American cinema to rot in that cardboard display, especially for $4.88.

Some folks are suckers for fashion. Some for trends. And some, like me, are suckers for good films.

And some folks are just suckers.

- # # #-

* NOTE - Warren Oates (1928-1982) remains one of the most widely-recognized American character actors of all time, with roles in such films as In The Heat of the Night, The Wild Bunch, and, yes, even as the mean ol' Sarge in the Bill Murray vehicle, Stripes.

He guest-starred on just about every classic American television show from that period, from Gunsmoke to Rawhide to Bonanza, from The Twilight Zone to The Fugitive. I have yet to meet a single person born before 1980 who doesn't recognize the guy's face from some Western, horror flick, or TV show.

And for the record, Bring Me The Head of Alfredo Garcia, one of Oates's few leading roles, is a thousand times more badass than anything most Film Studies profs will ever show in class.